Tuesday, December 2, 2014

Opera and Science

It’s fine to not be into opera.  Much of it is sung in foreign languages, using allusions and symbolism that only makes sense to people who have studied it, and are really interested in it.  I respect opera, but am not interested enough to invest the time and effort into learning it. 

It’s okay to not really be into science.  A thorough understanding of science is not easy.  Fully understanding even a narrow field of scientific knowledge requires years of directed effort and focused intellect.  Much of it is not intuitive, and sometimes runs counter to common sense.  And because frontiers of science push back against superstition and folk beliefs, many people ignore or reject science in favor of the comfort and safety of tradition. 

Few people who choose to ignore opera would then get into a heated argument with an expert on the implications of a plot element or the timing of an aria in Die Fledermaus or Otello.  But for some reason, people who have never studied science—or applied the scientific method of inquiry to anything—feel free to expound with some imagined expertise in opposition to the very fundamentals of modern science. 

People have a right to their opinions; but the right to hold them does not lend them merit. 

One who has never shown expertise or aptitude for opera would not be a good candidate for leadership of the Met.  And likewise, one who is willfully ignorant of science is not a good candidate for a role in translating scientific knowledge into governmental policy. 


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